Waxworks and the performance of anatomy in mid-18th-century Italy

Abstract

Anatomical waxworks lay at the centre of a composite world of social interaction in mid-18th-century Bologna. Sponsored by Pope Benedict XIV and included among Grand Tour attractions, they earned fame and authority for wax-modellers such as Anna Morandi, Giovanni Manzolini and Ercole Lelli. By dissecting bodies, making waxwork models of them and demonstrating their anatomical collections, these artificers became protagonists of the world of anatomy. Offering representations of the inner body some thought more faithful than the real thing, their collections gave expression to a new set of relations between the role of artefacts in the production and communication of knowledge, the emergence of new apparatuses for viewing and investigating the human body, the legacy of codified visual conventions and the authenticating power of natural spectacle.