The time course of emotional responses to music
- PMID: 16597797
- DOI: 10.1196/annals.1360.036
The time course of emotional responses to music
Abstract
Two empirical studies investigate the time course of emotional responses to music. In the first one, musically trained and untrained listeners were required to listen to 27 musical excerpts and to group those that conveyed a similar emotional meaning. In one condition, the excerpts were 25 seconds long on average. In the other condition, excerpts were as short as 1 second. The groupings were then transformed into a matrix of emotional dissimilarity that was analyzed with multidimensional scaling methods (MDS). We compared the outcome of these analyses for the 25-s and 1-s duration conditions. In the second study, we presented musical excerpts of increasing duration, varying from 250 to 20 seconds. Participants were requested to evaluate on a subjective scale how "moving" each excerpt was. On the basis of the responses given for the longer duration, excerpts were then sorted into two groups: highly moving and weakly (or less) moving. The main purpose of the analysis was to identify the point in time where these two categories of excerpts started to be differentiated by participants. Both studies provide consistent findings that less than 1 s of music is enough to instill elaborated emotional responses in listeners.
Similar articles
-
Are we "experienced listeners"? A review of the musical capacities that do not depend on formal musical training.Cognition. 2006 May;100(1):100-30. doi: 10.1016/j.cognition.2005.11.007. Epub 2006 Jan 17. Cognition. 2006. PMID: 16412412 Review.
-
Multidimensional scaling of emotional responses to music in patients with temporal lobe resection.Cortex. 2011 Oct;47(9):1107-15. doi: 10.1016/j.cortex.2011.05.007. Epub 2011 May 17. Cortex. 2011. PMID: 21683947
-
Multidimensional scaling of musical time estimations.Percept Mot Skills. 2011 Jun;112(3):737-48. doi: 10.2466/11.24.PMS.112.3.737-748. Percept Mot Skills. 2011. PMID: 21853763
-
Change detection in multi-voice music: the role of musical structure, musical training, and task demands.J Exp Psychol Hum Percept Perform. 2002 Apr;28(2):367-78. J Exp Psychol Hum Percept Perform. 2002. PMID: 11999860
-
Implicit investigations of tonal knowledge in nonmusician listeners.Ann N Y Acad Sci. 2005 Dec;1060:100-10. doi: 10.1196/annals.1360.007. Ann N Y Acad Sci. 2005. PMID: 16597757 Review.
Cited by
-
Enhancement of Pleasure during Spontaneous Dance.Front Hum Neurosci. 2017 Nov 29;11:572. doi: 10.3389/fnhum.2017.00572. eCollection 2017. Front Hum Neurosci. 2017. PMID: 29238298 Free PMC article.
-
Emotions alter muscle proprioceptive coding of movements in humans.Sci Rep. 2017 Aug 16;7(1):8465. doi: 10.1038/s41598-017-08721-4. Sci Rep. 2017. PMID: 28814736 Free PMC article.
-
Categorization of extremely brief auditory stimuli: domain-specific or domain-general processes?PLoS One. 2011;6(10):e27024. doi: 10.1371/journal.pone.0027024. Epub 2011 Oct 27. PLoS One. 2011. PMID: 22046436 Free PMC article.
-
Emotional perception of music in children with unilateral cochlear implants.Iran J Otorhinolaryngol. 2014 Oct;26(77):225-33. Iran J Otorhinolaryngol. 2014. PMID: 25320700 Free PMC article.
-
Phonological but not semantic influences on the speech-to-song illusion.Q J Exp Psychol (Hove). 2021 Apr;74(4):585-597. doi: 10.1177/1747021820969144. Epub 2020 Nov 5. Q J Exp Psychol (Hove). 2021. PMID: 33089742 Free PMC article.
Publication types
MeSH terms
LinkOut - more resources
Full Text Sources
Research Materials
Miscellaneous