Skip to main page content
U.S. flag

An official website of the United States government

Dot gov

The .gov means it’s official.
Federal government websites often end in .gov or .mil. Before sharing sensitive information, make sure you’re on a federal government site.

Https

The site is secure.
The https:// ensures that you are connecting to the official website and that any information you provide is encrypted and transmitted securely.

Access keys NCBI Homepage MyNCBI Homepage Main Content Main Navigation
. 2012;39(6):825-30.

The history of art versus the art of surgery

Affiliations

The history of art versus the art of surgery

Ugo Filippo Tesler. Tex Heart Inst J. 2012.
No abstract available

Keywords: Education, medical, graduate/organization & administration; history of medicine, 19th century; history of medicine, 20th century; history, 15th century; history, 16th century; mentors/history; paintings/history; thoracic surgery/education.

PubMed Disclaimer

Figures

None
Fig. 1 Michelangelo Buonarroti. Pietà Rondanini (1564). Castello Sforzesco. Milano, Italy.
None
Fig. 2 Family tree of the Viennese school of surgery. Note how Theodor Billroth has influenced successive generations of surgeons to this day.
None
Fig. 3 Philip Galle. A Painter's Workshop (1593–98). The master painter (center) is working on the large picture. On the left, the “senior associate” is painting a portrait. The younger students are performing other tasks: drawing in a sketchbook, mixing colors, and preparing the palette.
None
Fig. 4 Family tree of some of the major Renaissance artists. Verrocchio had a series of exceptional students, among whom were Leonardo, Botticelli, Perugino, and Ghirlandaio. These, in turn, became the mentors of such personalities as Raphael and Michelangelo.
None
Fig. 5 Andrea Verrocchio. The Baptism of Christ (1475–78). The main figures were painted by his own hand. The angel on the right was painted by Botticelli. The background and the angel on the left were painted by Leonardo da Vinci.
None
Fig. 6 Pietro Perugino. The Marriage of the Virgin (1501–4).
None
Fig. 7 Raffaello Sanzio. The Marriage of the Virgin (1504).
None
Fig. 8 The “new” Mona Lisa (date unknown) of the Prado in Madrid.
None
Fig. 9 The original Mona Lisa (1503–14) by Leonardo da Vinci. Louvre, Paris.
None
Fig. 10 Jan Van Eyck. Portrait of Jan de Leeuw (1436).
None
Fig. 11 Antonello da Messina. Portrait of a Man (1465). Museo Mandralisca, Cefalù, Sicily.
None
Fig. 12 Raffaello Sanzio. The School of Athens (1509–10). The Vatican.

Similar articles

Cited by

References

    1. Rendina EA. In the name of the Muse. Eur J Cardiothorac Surg 2010;37(1):1–6. - PubMed

Publication types