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. 2015 Jun;473(6):1873-8.
doi: 10.1007/s11999-015-4288-8. Epub 2015 Apr 7.

Art in science: the stage of the human body--the anatomical theatre of Bologna

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Art in science: the stage of the human body--the anatomical theatre of Bologna

Berardo Di Matteo et al. Clin Orthop Relat Res. 2015 Jun.
No abstract available

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Figures

Fig. 1
Fig. 1
A view of the Anatomical Theatre located in the Archiginnasio Palace of Bologna, Italy. Published with permission from Vittorio Tarabella MA.
Fig. 2
Fig. 2
The “Spellati” (Skinned Men) statues represent the fusion between art and science. Published with permission from Vittorio Tarabella MA.
Fig. 3
Fig. 3
The ceiling of the Anatomical Theatre features the sculptures of the Greek Gods, including the Greek God of Medicine, Apollo. Published with permission from Vittorio Tarabella MA.
Fig. 4
Fig. 4
Bombs destroyed the Anatomical Theatre during WWII. Today, the theatre has been restored. Reproduced with permission from Biblioteca Comunale dell’Archiginnasio.

References

    1. Bologna Bombardata 1943–1945. Available at:http://badigit.comune.bologna.it/bolognabombardata/index.html. Accessed February 9, 2015.
    1. Di Matteo B, Tarabella V, Filardo G, Viganò A, Tomba P, Marcacci M. Art in science: Giovanni Paolo Mascagni and the art of anatomy. Clin Orthop Relat Res. 2015;473:783–788. doi: 10.1007/s11999-014-3909-y. - DOI - PMC - PubMed
    1. Di Matteo B, Tarabella V, Filardo G, Viganò A, Tomba P, Marcacci M. Art and science in the Renaissance: The case of Walther Hermann Ryff. Clin Orthop Relat Res. 2014;472:1689–1696. doi: 10.1007/s11999-014-3605-y. - DOI - PMC - PubMed
    1. Friedlaender GE, Friedlaender LK. Art in science: The Gross Clinic by Thomas Eakins. Clin Orthop Relat Res. 2014;472:3632–3636. doi: 10.1007/s11999-014-3989-8. - DOI - PMC - PubMed
    1. Pascolutti F. Il palazzo dell’Archiginnasio (1562–1563) di Bologna 1944–1945; 1946–1957. In: Pascolutti F, editor. Alfredo Barbacci: The Superintendent and the Restorer, an Architect of the Post-War Reconstruction [in Italian] Argelato, Italy: Minerva; 2011. pp. 143–164.

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