Considering the filmmaker: Intensified continuity, narrative structure, and the Distancing-Embracing model
- PMID: 29342778
- DOI: 10.1017/S0140525X17001583
Considering the filmmaker: Intensified continuity, narrative structure, and the Distancing-Embracing model
Abstract
Menninghaus et al. pose two open-ended questions: To what extent do formal elements of art elicit negative affect, and do artists try to elicit this response in a theory-based or intuitive manner? For popular movies, we argue that the consideration of their construction is prior to the consideration of the experience that they evoke.
Comment in
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Negative emotions in art reception: Refining theoretical assumptions and adding variables to the Distancing-Embracing model.Behav Brain Sci. 2017 Jan;40:e380. doi: 10.1017/S0140525X17001947. Behav Brain Sci. 2017. PMID: 29342806
Comment on
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The Distancing-Embracing model of the enjoyment of negative emotions in art reception.Behav Brain Sci. 2017 Jan;40:e347. doi: 10.1017/S0140525X17000309. Epub 2017 Feb 20. Behav Brain Sci. 2017. PMID: 28215214
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