Skip to main page content
U.S. flag

An official website of the United States government

Dot gov

The .gov means it’s official.
Federal government websites often end in .gov or .mil. Before sharing sensitive information, make sure you’re on a federal government site.

Https

The site is secure.
The https:// ensures that you are connecting to the official website and that any information you provide is encrypted and transmitted securely.

Access keys NCBI Homepage MyNCBI Homepage Main Content Main Navigation
. 2024 May 24:15:1392242.
doi: 10.3389/fpsyg.2024.1392242. eCollection 2024.

Exploring the experiences of dancers who have achieved peak performance: on-stage, pre-stage, and post-stage

Affiliations

Exploring the experiences of dancers who have achieved peak performance: on-stage, pre-stage, and post-stage

Soo Mi Nam et al. Front Psychol. .

Abstract

The aim of this study is to identify and classify the different attributes that contribute to peak performance among professional dancers, and to understand how these attributes change over time. We conducted an analysis using inductive content analysis on open-ended survey data collected from 42 formally trained professional dancers. Additionally, we analyzed interview data from seven professional dancers who demonstrated outstanding achievements in the field among the survey participants. The main themes that emerged were related to various temporal events of peak performance experience: pre-stage, on-stage, and post-stage. During the on-stage, peak performance was perceived by both internal and external factors. During the pre-stage, emphasis was placed on technical, cognitive, and artistic strategies during practice, whereas just before going on the stage, attention shifted to psychological and physical strategies. During the post-stage, dancers reported immediate changes in their psychological and physical states following the peak performance experience, and thereafter, the peak performance experience was noted to influence psychological, technical, and cognitive aspects. These findings provide valuable insights into the key characteristics that emerge throughout a series of peak performance experiences and are consistent with previous research.

Keywords: on-stage; peak performance; performance psychology; post-stage; pre-stage; professional dancer.

PubMed Disclaimer

Conflict of interest statement

The authors declare that the research was conducted in the absence of any commercial or financial relationships that could be construed as a potential conflict of interest.

Figures

Figure 1
Figure 1
Flow chart for research procedure.

Similar articles

References

    1. Adam M. U., Brassington G. S., Matheson G. O. (2004). Psychological factors associated with performance-limiting injuries in professional ballet dancers. J. Dance Med. Sci. 8, 43–46. doi: 10.1177/1089313X0400800202 - DOI
    1. Anderson R., Hanrahan S. J., Mallett C. J. (2014). Investigating the optimal psychological state for peak performance in Australian elite athletes. J. Appl. Sport Psychol. 26, 318–333. doi: 10.1080/10413200.2014.885915 - DOI
    1. Atkinson A. P., Dittrich W. H., Gemmell A. J., Young A. W. (2004). Emotion perception from dynamic and static body expressions in point-light and full-light displays. Perception 33, 717–746. doi: 10.1068/p5096, PMID: - DOI - PubMed
    1. Bläsing B. E. (2015). Segmentation of dance movement: effects of expertise, visual familiarity, motor experience and music. Front. Psychol. 5, 1–11. doi: 10.3389/fpsyg.2014.01500, PMID: - DOI - PMC - PubMed
    1. Bläsing B., Tenenbaum G., Schack T. (2009). The cognitive structure of movements in classical dance. Psychol. Sport Exerc. 10, 350–360. doi: 10.1016/j.psychsport.2008.10.001 - DOI

LinkOut - more resources