Exploring the experiences of dancers who have achieved peak performance: on-stage, pre-stage, and post-stage
- PMID: 38855308
- PMCID: PMC11162116
- DOI: 10.3389/fpsyg.2024.1392242
Exploring the experiences of dancers who have achieved peak performance: on-stage, pre-stage, and post-stage
Abstract
The aim of this study is to identify and classify the different attributes that contribute to peak performance among professional dancers, and to understand how these attributes change over time. We conducted an analysis using inductive content analysis on open-ended survey data collected from 42 formally trained professional dancers. Additionally, we analyzed interview data from seven professional dancers who demonstrated outstanding achievements in the field among the survey participants. The main themes that emerged were related to various temporal events of peak performance experience: pre-stage, on-stage, and post-stage. During the on-stage, peak performance was perceived by both internal and external factors. During the pre-stage, emphasis was placed on technical, cognitive, and artistic strategies during practice, whereas just before going on the stage, attention shifted to psychological and physical strategies. During the post-stage, dancers reported immediate changes in their psychological and physical states following the peak performance experience, and thereafter, the peak performance experience was noted to influence psychological, technical, and cognitive aspects. These findings provide valuable insights into the key characteristics that emerge throughout a series of peak performance experiences and are consistent with previous research.
Keywords: on-stage; peak performance; performance psychology; post-stage; pre-stage; professional dancer.
Copyright © 2024 Nam, Park and Kim.
Conflict of interest statement
The authors declare that the research was conducted in the absence of any commercial or financial relationships that could be construed as a potential conflict of interest.
Similar articles
-
Perceptions of Pain, Injury, and Transition-Retirement: The Experiences of Professional Dancers.J Dance Med Sci. 2017 Jun 15;21(2):43-52. doi: 10.12678/1089-313X.21.2.43. J Dance Med Sci. 2017. PMID: 28535847
-
Professional ballet dancers' experience of injury and osteopathic treatment in the UK: A qualitative study.J Bodyw Mov Ther. 2017 Jan;21(1):148-156. doi: 10.1016/j.jbmt.2016.06.009. Epub 2016 Jun 16. J Bodyw Mov Ther. 2017. PMID: 28167171
-
Pain Perceptions, Suffering and Pain Behaviours of Professional and Pre-Professional Dancers towards Pain and Injury: A Qualitative Review.Behav Sci (Basel). 2023 Mar 17;13(3):268. doi: 10.3390/bs13030268. Behav Sci (Basel). 2023. PMID: 36975293 Free PMC article. Review.
-
Psychological distress among dancers seeking outpatient treatment for musculoskeletal injury.J Dance Med Sci. 2013 Sep;17(3):115-25. doi: 10.12678/1089-313x.17.3.115. J Dance Med Sci. 2013. PMID: 24069946
-
Brain Activity of Professional Dancers During Audiovisual Stimuli Exposure: A Systematic Review.Adv Exp Med Biol. 2023;1425:457-467. doi: 10.1007/978-3-031-31986-0_44. Adv Exp Med Biol. 2023. PMID: 37581819
References
-
- Adam M. U., Brassington G. S., Matheson G. O. (2004). Psychological factors associated with performance-limiting injuries in professional ballet dancers. J. Dance Med. Sci. 8, 43–46. doi: 10.1177/1089313X0400800202 - DOI
-
- Anderson R., Hanrahan S. J., Mallett C. J. (2014). Investigating the optimal psychological state for peak performance in Australian elite athletes. J. Appl. Sport Psychol. 26, 318–333. doi: 10.1080/10413200.2014.885915 - DOI
-
- Bläsing B., Tenenbaum G., Schack T. (2009). The cognitive structure of movements in classical dance. Psychol. Sport Exerc. 10, 350–360. doi: 10.1016/j.psychsport.2008.10.001 - DOI
LinkOut - more resources
Full Text Sources