Musical neurodynamics
- PMID: 40102614
- DOI: 10.1038/s41583-025-00915-4
Musical neurodynamics
Abstract
A great deal of research in the neuroscience of music suggests that neural oscillations synchronize with musical stimuli. Although neural synchronization is a well-studied mechanism underpinning expectation, it has even more far-reaching implications for music. In this Perspective, we survey the literature on the neuroscience of music, including pitch, harmony, melody, tonality, rhythm, metre, groove and affect. We describe how fundamental dynamical principles based on known neural mechanisms can explain basic aspects of music perception and performance, as summarized in neural resonance theory. Building on principles such as resonance, stability, attunement and strong anticipation, we propose that people anticipate musical events not through predictive neural models, but because brain-body dynamics physically embody musical structure. The interaction of certain kinds of sounds with ongoing pattern-forming dynamics results in patterns of perception, action and coordination that we collectively experience as music. Statistically universal structures may have arisen in music because they correspond to stable states of complex, pattern-forming dynamical systems. This analysis of empirical findings from the perspective of neurodynamic principles sheds new light on the neuroscience of music and what makes music powerful.
© 2025. Springer Nature Limited.
Conflict of interest statement
Competing interests: E.W.L. is founder of, and owns stock in, Oscilloscape, Inc. (dba Oscillo Biosciences). J.C.K. is currently a paid employee of, and owns stock in, Oscilloscape, Inc. E.W.L. and J.C.K. are authors of patents owned by Oscilloscape, Inc. The subject matter of the current paper is not directly related to the business interests of Oscilloscape, and no products of Oscilloscape are discussed in this paper.
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- Large, E. W. & Kim, J. C. in Foundations in Music Psychology: Theory and Research (eds Rentfrow, P. J. & Levitin, D. J.) 221–263 (MIT Press, 2019).
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